Like most ribbon mics, it has a standard figure-8 polar pattern, which for vocals, can work especially well for singing duets. Luckily for us, Beyerdynamic M160 is here to save the day. Honestly, I didn't like the combo with these 2 mics together. If these mics are too pricey for you, here’s one you’ll like better: Ribbon mics are DAMN expensive. Johnnyalucard, 16.04.2018 Royer mics are the standard bearers for ribbon microphones and the R-121 is the daddy of them all. Watch our microphone shootout featuring the Royer R-121 and R-10 below and continue on to read more about these incredible microphones. It is perhaps the ONE and ONLY ribbon mic offering a hypercardioid design…making it the only viable option for dozens of recording situations unsuitable to any other ribbon mic on the market. Awesome, thanks Cili, have both of those. https://www.facebook.com/livereadyprofiles/. I was impressed with Royer's site, even the mic manual is informative. All preferable for sure, but at this point it is just a guess for me. The Royers (r121) are somewhere in between but somehow don't sound as detailed as the 4038s (in the bottom or mids) or the Beyer (in the mids and hi mids). Comment below and let me know your thoughts! But what happens when the situation doesn’t call for a figure-8? I use to profile at ear splitting volume but I am not sure I will keep it up. The Coles have a much bigger bottom end, good mid range detail but not as present as the M160's. The M160's will sound brighter than the Royer or Coles. Edited once, last by deadpan (Dec 25th 2017). You would assume that most figure-8 ribbon mics would be available in matched pairs, correct? The Audio Technica AT4081, at less than HALF the price of a Royer 122, is one of the only active ribbon mics even semi-affordable to the average person. Lucky for us, there’s the Avantone Audio CR-14. As it turns out…one of the only mics commonly sold as a matched pair is the Royer 101’s. And store them more carefully too.Ribbon mics also take Eq really well so experiment a lot. the m160 is one of my fav mic. Luckily for us, its reviews are almost universally positive as well. Most are $1000 and up. Your browser has JavaScript disabled. The R-121 redefined ribbon microphones so completely that Recording Magazine wrote: “…the Royer R-121 is destined to become one of the classic microphones of the 21st century.” Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. It’ll mate up better with mics that have a low ohm output like ribbons and dynamics. The Royer can be usedForward (darker) or backward facing (brighter). Great River preamps works well with Royer and dynamic mics since they have a lot of clean gain and more extended high frequencies than a Neve, which is also never a bad choice, just more expensive. If you would like to use all features of this site, it is mandatory to enable JavaScript. Was thinking the m160 and r121 would be great together from the clips I have heard. Even folks new to ribbon mics have likely heard of it before. Royer went ahead and created a revolutionary new mic design to make it even easier for us. Got used to it I think... Great info. Both are great mics but somewhat similar so not usually blended.The 160’s pattern isn’t a figure 8 so you’ll get less room vibe. To pick just one reason: Royer Labs has a patent on the offset ribbon design, which gives the mic two slightly different sounds, front vs. rear. This site uses cookies. Up next on the list, we have not ONE, but TWO mics…, If you’re already familiar with figure-8 mics, then you know…. I'm considering finally investing in a Royer and am torn between going for the R10 or the 121. The M160's on-axis response has much in common with the Royer R121, in exhibiting quite a 'lump' at around 4kHz, which, although unpleasant on this particular vocalist, is actually very smooth, and we felt would help some singers' voices cut through a mix. A 2.5µm-thick pure-aluminium ribbon is supported between the poles of a powerful rare-earth neodymium magnet assembly. For some reason, virtually all ribbon mics use figure-8 polar patterns. It’s small and lightweight, which allows you to position the microphone without any intrusion, and utilizes the same ribbon transducer. The problem is…the active ones are even more expensive than the passive ones. You can find less-expensive ribbons from a half-dozen suppliers, but they won't be the same as the Royers. Surprisingly, there are VERY FEW alternatives. Awesome, thanks Cili, have both of those. Simply Killer mic! Unboxing of the Beyerdynamic M 201 TG. Looking forward to experimenting. The basic design of the Royer R121 is fairly conventional as ribbon microphones go, despite the adoption of sophisticated modern materials. The R121 is more for myself as I really liked the clips I have heard. For your first introduction to ribbon mics…I highly recommend it. The Beyer's hypercardioid pattern, predictably enough, led it to give us a tighter sound, with less room than any other mic on test. Are you using a preamp with the mics? Feeling tired of the same old condenser mics? I mostly have not used a preamp. The AEAR84‘s “pill-like” capsule design, closely resembles that of a large diaphragm condenser. I use them on virtually any source apart from vocals where I'm slightly nervous of putting them anywhere near the vocalists mouth in case they blow on the ribbon! The R-121 redefined ribbon microphones so completely that Recording Magazine wrote: “…the Royer R-121 is destined to become one of the classic microphones of the 21st century.” Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. It has a neat midrange where I find 121 mid range sort of gruff, not in an aggressive way but just not pleasing. Now, I know we’ve seen quite a few Royer Mics already…, But for this next pick, I’d like to share just ONE MORE…, Recognizing that ribbon mics are extremely popular for stereo recording…. Maybe it was me but m160 on it's own is great. Each mic is positioned at 90 degrees relative to the other, making it perfect for either Blumlein Pair or M/S stereo recording. A list of the 7 best ribbon mics including: Royer 121, 101, SF-12, Avantone Audio CR-14, AEA R84, AT4081, and Beyerdynamic M160. With the SF-12, you just plug and play. I mostly have not used a preamp. To perform this technique, you need not ONE, but TWO figure-8 mics, angled at 90 degrees from each other. Its sort of weird sounding on gtrs though lots of people swear by them. The Royer R-121 and R-122 are unique in their components, design, and tolerances. Be careful, the 160 can’t handle the loud amps like the Royer can and you can easily damage the ribbon. Will break out the Grace from the ribbons. If a reliable, great sounding mic, with a classic vintage look is what you’re after, I highly recommend it. Hi all, anyone have experience with these? Like it more than R121 but might be just a matter of taste. comared to the Royer R-121, and Shure Beta 57. Among the small handful of ribbon mics in the under $500 category, it’s the only one that boasts nearly all positive reviews. Royer R-121 The R-121 is Royer’s flagship microphone, which utilizes the groundbreaking R-series ribbon transducer. 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